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The Top 1. 50 Global Licensors. CLICK HERE TO SEE THE LIST AS IT APPEARED IN PRINT. The Top 1. 50 Global Licensors reported a total of $2. The Walt Disney Company, which is the perennial No. While Disney dominated headlines last year with the return of the iconic Star Wars franchise, the company reported $5.

Marvel's Avengers, Frozen, Disney Princess and . Consumer Products, which ranks No.

Disney in the marketplace, but also the challenge of the No. Hasbro, who has steadily grown its retail sales to $5. However, WBCP has its own list of new initiatives, as outlined by its new president, Pam Lifford, in the story that follows .

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The Top 1. 0 licensors now account for slightly more than 5. Meredith climbed to No. The company's sales number includes the revenue of its licensed Better Homes and Gardens real estate agencies in addition to its extensive direct- to- retail licensing programs with Walmart and FTD. Another key change in the Top 1. Mattel, which dropped to No. An example of a global licensor that has achieved significant growth over the past few years is IP management company Sequential Brands Group.

The company, which now has brands Martha Stewart and Jessica Simpson, reported $4 billion in retail sales in 2. No. This is a huge leap in recent years–in 2. No. 6. 5 with retail sales of $7. There are 1. 2 new licensors that joined the report this year. The diverse group includes Margaritaville, a $1 billion lifestyle licensor; Moose Toys, known for the Shopkins collectible phenomenon; Moomin; Paramount; Boy Scouts of America; Genius Brands International; Snuggle; Sports Afield; Animaccord, which owns the preschool brand . While Margaritaville was added to the Billion Dollar Licensor Club, four licensors dropped out the Club including Discovery; Frigidaire, which is now included within Electrolux; Martha Stewart, which was acquired by Sequential Brands Group; and Technicolor, which dropped slightly to No.

All global licensors and/or licensing agents submitted retail sales figures, which are based on worldwide retail sales of licensed merchandise in 2. International sales figures were converted according to the most recent exchange rates at press time and in some cases may have had an affect versus last year's report. Global consults various industry sources, financial documents, annual reports, et al and relies on the fiduciary responsibility of each company for accuracy. All companies are public except as otherwise noted as Private or Non- Profit. This report is not intended to be a brand perception or popularity report, but a sales and trend report based on information submitted directly to License! Global by each licensor.

The Top 1. 50 Global Licensors report is copyrighted and cannot be used without the written permission of License! Global and UBM. CLICK HERE TO SEE THE LIST AS IT APPEARED IN PRINT. THE WALT DISNEY COMPANY$5. B (NYSE: DIS)JOSH SILVERMAN, EXECUTIVE VICE PRESIDENT, GLOBAL LICENSING, DISNEY CONSUMER PRODUCTS, +1. KIM ALBANO, VICE PRESIDENT, CUSTOMER CARE AND CONSUMER PRODUCTS, ESPN, +1. VICTORIA CHEW, VICE PRESIDENT, MARKETING PARTNERSHIPS, FRANCHISE AND SYNERGY, ABC, +1.

WWW. DISNEYCONSUMERPRODUCTS. COM; WWW. ESPN. COM; WWW. ABC. COMAs the world's largest licensor, The Walt Disney Company brings its stories and characters to life for families and fans of all ages through innovative products and experiences. In fiscal 2. 01. 5, global retail sales of licensed product reached a new high of $5. This number is inclusive of licensed products across Disney Consumer Products and Interactive Media, Disney Publishing Worldwide, Studio Entertainment, ABC Television and ESPN.

In 2. 01. 5, The Walt Disney Company introduced new characters and stories alongside inspired retellings of classic tales, which resulted in yet another stellar year for licensed products. Perhaps the most anticipated product launch and film debut of the year was Star Wars: The Force Awakens, which continues to redefine the scope and power of entertainment licensing. Hundreds of products launched on Sept.

Force Friday that drew more than 1. Despite launching later in the year, Star Wars was the number one toy brand of 2. NPD) and won property of the year at the Toy of the Year Awards. Disney Princess continues to be one of the world's most popular girls' brands, with new dolls, role play and branded and inspired apparel for children, juniors and adults–including a broad range of offerings across prom, Quinceanera and bridal.

Disney's Frozen remains a worldwide phenomenon and once again topped retailer and industry toy lists in 2. Frozen Fever and the TV Holiday campaign, Family: The best gift of all. Fans of Disney. 2.

Disney. Disney Junior continued to dominate the small screen with new shows like Miles from Tomorrowland and established series like Doc Mc. Stuffins. The broad product assortment featured items from band- aids and bedding to the 2. Toy of the Year winner Doc Mc. Stuffins Pet Vet Checkup Center. Older kids had plenty of choices as well, as Disney launched two new tween properties in 2. Disney Descendants and Star Darlings. Descendants ranked as the No.

TV movie of 2. 01. TV movie DVD last year. Merchandise programs launched in summer with robust sales across categories. Star Darlings launched with a book series from Disney Publishing Worldwide and expanded into a multiplatform lifestyle brand. Mickey and Minnie continue to inspire unique lifestyle and fashion collaborations. Both were featured in the Disney and Vans Young at Heart collection, which celebrated Disney's classic characters. Mickey was also included in a global capsule collection from Markus Lupfer; while Minnie's classic polka dots and bows were celebrated in product lines with Pandora jewelry and LC by Lauren Conrad.

Marvel's cinematic universe expanded with Marvel's Avengers: Age of Ultron and Ant- Man, which were supported with robust product lines highlighting the Avengers franchise. Avengers and Spider- Man characters were also represented in new animated TV episodes, publishing, and digital launches, which inspired unique retail executions. Key ABC- licensed properties included Dancing With The Stars, Grey's Anatomy, Once Upon A Time, Nashville, Castle, Scandal and The Chew. ABC saw great success in 2.

The Chew cookware. ESPN's co- branded collegiate collection continues to grow with programs surrounding the upcoming football season. Other unique product offerings include t- shirts inspired by ESPN Films' 3. Blade Of The Immortal (2017) Full Movie. X Games digital shop. Disney Consumer Products and Interactive Media had many licensing and retail collaborations throughout the year, with standouts surrounding Disney's live action film Cinderella, Marvel and Star Wars: The Force Awakens.

In celebration of the release of Disney's live action film inspired by the classic fairy tale Cinderella, DCPI collaborated with nine luxury designer shoe brands to assemble an enchanting collection of shoes that reimagined Cinderella's iconic glass slipper. From renowned designers such as Jimmy Choo, Stuart Weitzman, Salvatore Ferragamo and more, the shoes were available in the U. S. DCPI collaborated with Target on a Marvel's Avengers: Age of Ultron multi- channel marketing campaign that engaged fans and built excitement for the product line. Marvel also launched its first subscription box program–Marvel Collector Corps–offering exclusive Marvel product, collectibles, apparel, accessories and more. In the fashion space, Marvel expanded its product offerings with new sportswear styles from brands like Mad Engine, Hybrid and C- Life, and launched a Marvel's Avengers: Age of Ultron collaboration with geek girl apparel brand, Her Universe, available at Hot Topic. Marvel also added to its healthy living portfolio of products with major Avengers and Spider- Man food launches.

Star Wars resonated with a new generation of fans in 2.

The only thing that can stand in its way and stop this evil force of nature, is the Rock (Dwayne Johnson.. Alcatraz). The Rock vs an earthquake.. FIGHT!! That's it, that's all I got here. We all know exactly what this is, we've all seen this a shitzillion times before. The one main difference in this movie is the fact that it starts out with an obvious signal that shits about to go down, usually in these type of movies they start off with everything being hunky dory. Not this time, the Rock is straight in there battling to save some blonde type in her car from a gaping chasm of death. In the end he cooly rips off the car door to get to her, yeah its gonna be like that folks.

But this gaping chasm of death alerts all the science types to the danger that is clearly looming, this naturally results in various slow moving close- ups on scientists faces accompanied by strong orchestral tones. From there on the whole project moves along with a fast but completely predictable pace hitting all the key notes you've come to expect from a disaster flick. Does this disappoint? You wanna see LA and San Francisco (and surrounding areas) get wiped out by an earthquake? The CGI is most definitely exceptional there is no doubt about that, at times, in places, it does look completely realistic to the point that it is actually a little scary, I did actually feel sorry for some of the victims (almost). Like with all modern disaster movies there are the effects that look awesome which normally involve wide CGI panoramas of cityscapes getting destroyed by a tidal wave or earthquake, skyscrapers toppling, vehicles getting swept up or flipped about and bridges collapsing etc.. Then you have the odd shot or sequence which always looks obviously CGI or shows the use of greenscreen, usually involving a close up of an actor.

You know them, lets do this together, sing along with me. Well for starters, this being America and being in the midst of a breakdown in society, you have looting and shootings going on, because America. Yep, its sad to think that this is completely accurate, but when the shit hits the fan in America, you know certain parts of society will whip out their guns and go looting, because a big TV will help you in a deadly earthquake situation.

Next up, the bad guy who gets his comeuppance played by Loan Gruffudd. This guy starts off as the nice guy but you can smell the slimy, smarminess a mile away, its the suit and money that give it away, stereotypical, wealthy, soulless businessman. Then we have the old couple cliche, by this I mean that one sequence where we see an elderly couple who can't escape pending death.

They both realise they can't escape, they both acknowledge this and embrace one last time before they are killed off, which we don't see of course. They are literately on the brink of complete divorce before the disaster, but low and behold the disaster manages to change all that when the Rock saves his wife, and daughter, and the world, and everyone sees what a great guy he is. Its at this point that I must also point out, our hero, the Rock, knows everything! He is also indestructible, naturally, he can survive everything and never really sustain any injury, even in a bad helicopter crash. This leads me to another good solid predictable cliche. In any sequence where the protagonist and co have to escape somewhere in a car or boat or whatever, they always do of course, but we always, always, have to see some other faceless people failing to escape the same situation and getting killed.

It happens every time, the Rock and co are trying to get over this growing tidal wave in their boat, they are hammering it up this towering wave trying to reach the crescent before it crashed down. At the same time we see another boat doing the same thing but it flips over and flies off obviously killing all on- board. I can't really complain though can I? I mean it is a disaster flick, what did I expect?? But this is the problem, we've seen all angles for this genre, its all been done, it doesn't matter where the disaster is or what it is, this entire genre is dead and buried beneath a pile of cliches.

This movie really brought this notion home to me, yes I did expect the same spiel, but no I didn't expect such a corny line up of terrible cliches such as this, I did kinda think they would try something different maybe, whatever that could be. Instead its literately every scene from all previous disaster flicks all over again.. California, the disaster is irrelevant frankly, could of been anything. You picked the wrong city to fuck with earthquake, take that!