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Rembrandt - Wikipedia. Rembrandt van Rijn. Born. Rembrant Harmenszoon van Rijn(1.

July 1. 60. 6. Nicolaes Tulp (1. Belshazzar's Feast (1.

1. The Rijksmuseum in Amsterdam is one of the grand European museums. Home to many of the Dutch masters (Rembrandt’s Night Watch, which seems to glow from its center.
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The Night Watch (1. Bathsheba at Her Bath (1. Syndics of the Drapers' Guild (1. The Hundred Guilder Print (etching, c. Movement. Dutch Golden Age. Baroque. Rembrandt Harmenszoon van Rijn (. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history.

His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when Dutch art (especially Dutch painting), although in many ways antithetical to the Baroque style that dominated Europe, was extremely prolific and innovative, and gave rise to important new genres. Like many artists of the Dutch Golden Age, such as Jan Vermeer of Delft, Rembrandt was also known as an avid art collector and dealer. Rembrandt never went abroad, but he was considerably influenced by the work of the Italian masters and Netherlandish artists who had studied in Italy, like Pieter Lastman, the Utrecht Caravaggists, and Flemish Baroque. Peter Paul Rubens.

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Having achieved youthful success as a portrait painter, Rembrandt's later years were marked by personal tragedy and financial hardships. Yet his etchings and paintings were popular throughout his lifetime, his reputation as an artist remained high. His self- portraits form a unique and intimate biography, in which the artist surveyed himself without vanity and with the utmost sincerity.

Relive the glory of the most famous painter of the Dutch Golden Age, Rembrandt van Rijn, on this customizable private walking tour in Amsterdam. The artist lived for. The Night Watch first hung in the Groote Zaal (Great Hall) or Amsterdam's Kloveniersdoelen. This structure currently houses the Doelen Hotel. In 1715, the painting.

His reputation as the greatest etcher in the history of the medium was established in his lifetime and never questioned since. Few of his paintings left the Dutch Republic whilst he lived, but his prints were circulated throughout Europe, and his wider reputation was initially based on them alone. In his works he exhibited knowledge of classical iconography, which he molded to fit the requirements of his own experience; thus, the depiction of a biblical scene was informed by Rembrandt's knowledge of the specific text, his assimilation of classical composition, and his observations of Amsterdam's Jewish population.! What sacrilege! With Rembrandt, the colossus of Art! We should prostrate ourselves before Rembrandt and never compare anyone with him! It is with justice that they call Rembrandt—magician—that's no easy occupation. He was the ninth child born to Harmen Gerritszoon van Rijn and Neeltgen Willemsdochter van Zuijtbrouck.

Religion is a central theme in Rembrandt's paintings and the religiously fraught period in which he lived makes his faith a matter of interest. His mother was Roman Catholic, and his father belonged to the Dutch Reformed Church. While his work reveals deep Christian faith, there is no evidence that Rembrandt formally belonged to any church, although he had five of his children christened in Dutch Reformed churches in Amsterdam: four in the Oude Kerk (Old Church) and one, Titus, in the Zuiderkerk (Southern Church).

In 1. 62. 7, Rembrandt began to accept students, among them Gerrit Dou in 1. As a result of this connection, Prince Frederik Hendrik continued to purchase paintings from Rembrandt until 1. He initially stayed with an art dealer, Hendrick van Uylenburgh, and in 1.

Hendrick's cousin, Saskia van Uylenburgh. When Saskia, as the youngest daughter, became an orphan, she lived with an older sister in Het Bildt. Rembrandt and Saskia were married in the local church of St.

Annaparochie without the presence of Rembrandt's relatives. He also acquired a number of students, among them Ferdinand Bol and Govert Flinck. In 1. 63. 9 they moved to a prominent newly built house (now the Rembrandt House Museum) in the upscale 'Breestraat' (eng.: 'Broadway'), today known as Jodenbreestraat (Jodenbreestraat 4,1. NK Amsterdam- now) in what was becoming the Jewish quarter; then a young upcoming neighborhood. The mortgage to finance the 1. In 1. 64. 0, they had a second daughter, also named Cornelia, who died after living barely over a month.

Only their fourth child, Titus, who was born in 1. Saskia died in 1. Titus's birth, probably from tuberculosis. Rembrandt's drawings of her on her sick and death bed are among his most moving works. She would later charge Rembrandt with breach of promise (a euphemism for seduction under .

In 1. 65. 4 they had a daughter, Cornelia, bringing Hendrickje a summons from the Reformed Church to answer the charge . She admitted this and was banned from receiving communion. Rembrandt was not summoned to appear for the Church council because he was not a member of the Reformed Church. Had he remarried he would have lost access to a trust set up for Titus in Saskia's will.

The sale list survives and gives us a good insight into Rembrandt's collections, which, apart from Old Master paintings and drawings, included busts of the Roman Emperors, suits of Japanese armor among many objects from Asia, and collections of natural history and minerals. But the prices realized in the sales in 1. To get around this, Hendrickje and Titus set up a business as art dealers in 1. Rembrandt as an employee. The resulting work, The Conspiracy of Claudius Civilis, was rejected and returned to the painter; the surviving fragment is only a fraction of the whole work. In 1. 66. 2 he was still fulfilling major commissions for portraits and other works.

He died within a year of his son, on 4 October 1. Amsterdam, and was buried as a poor man.

It was in a numbered 'kerkgraf' (grave owned by the church) somewhere under a tombstone in the church. Film Noir Movies Lambert And Stamp (2015). After twenty years, his remains were taken away and destroyed, as was customary with the remains of poor people at the time. In a letter to Huygens, Rembrandt offered the only surviving explanation of what he sought to achieve through his art: the greatest and most natural movement, translated from de meeste en de natuurlijkste beweegelijkheid. Whether this refers to objectives, material or otherwise, is open to interpretation; either way, critics have drawn particular attention to the way Rembrandt seamlessly melded the earthly and spiritual. The list was to be unveiled at a scholarly meeting in February 2. Modern scholarship has reduced the autograph count to over forty paintings, as well as a few drawings and thirty- one etchings, which include many of the most remarkable images of the group.

His oil paintings trace the progress from an uncertain young man, through the dapper and very successful portrait- painter of the 1. Together they give a remarkably clear picture of the man, his appearance and his psychological make- up, as revealed by his richly weathered face. A Rembrandt face is a face partially eclipsed; and the nose, bright and obvious, thrusting into the riddle of halftones, serves to focus the viewer's attention upon, and to dramatize, the division between a flood of light—an overwhelming clarity—and a brooding duskiness. Durham suggests that this was because the Bible was for Rembrandt . His immediate family—his wife Saskia, his son Titus and his common- law wife Hendrickje—often figured prominently in his paintings, many of which had mythical, biblical or historical themes.

Drawings by Rembrandt and his pupils have been extensively studied by many artists and scholars. His original draughtsmanship has been described as an individualistic art style that was very similar to East Asian old masters, most notably Chinese masters. For the last, he was especially praised by his contemporaries, who extolled him as a masterly interpreter of biblical stories for his skill in representing emotions and attention to detail. In the etchings of his maturity, particularly from the late 1. The works encompass a wide range of subject matter and technique, sometimes leaving large areas of white paper to suggest space, at other times employing complex webs of line to produce rich dark tones. It is also likely that at this time Lievens had a strong impact on his work as well.